Burbank, CA : Warner Bros., p2002.
1 sound disc (65 min.) : digital ; 4 3/4 in.
No Copies Found
In the most enigmatic project up to this point in his career, Brad Mehldau explores conflicting aesthetics, sometimes in tracks positioned next to each other, and occasionally within the confines of a single performance. A spare simplicity governs much of the album, emphasized by almost puritanical horn arrangements -- long notes, mournful triadic chords. After acknowledging these episodes with childlike figurations on the piano, Mehldau then builds his solos along more dissonant lines, which invariably end up enhancing the mood. But then there are tracks like "Dropjes," whose electronic effects gnash angrily at the piano, or "Free Willy," on which putty attached to the instrument's low strings allows Mehldau to unleash a feral improvisation, with lines that suggest scurrying rodents more than bebop blowing. Producer Jon Brion stimulated much of this adventurism, at times diving directly into the mix with his guitar synth or Chamberlin keyboard. But what intrigues most about Largo in the end is the perspective it offers on Mehldau, whose playing here is, as always, intelligent, perhaps a bit cerebral, and now open as well to sonic exotica. ~ Robert L. Doerschuk
APA Citation (style guide)
Mehldau, B. (2002). Largo. Burbank, CA: Warner Bros.Chicago / Turabian - Author Date Citation (style guide)
Mehldau, Brad. 2002. Largo. Burbank, CA: Warner Bros.Chicago / Turabian - Humanities Citation (style guide)
Mehldau, Brad, Largo. Burbank, CA: Warner Bros, 2002.MLA Citation (style guide)
Mehldau, Brad. Largo. Burbank, CA: Warner Bros, 2002.
Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Grouped Work ID:
|Last File Modification Time||May 04, 2019 04:00:04 AM|
|Last Grouped Work Modification Time||May 17, 2019 08:02:02 PM|
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